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Who Censored Roger Rabbit?, by Gary K Wolf
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“Who’d want to kill a dumb cartoon bunny?” That’s what Eddie Valiant wants to know. He’s the toughest private eye in Los Angeles, and he’ll handle anything – if you’re human. If you’re a Toon, that’s another story. Eddie doesn’t like Toons – those cartoon characters who live side-by-side with humans. Not the way they look, and especially not the way they talk: word-filled balloons come out of their mouths and then disintegrate, leaving dust all over his rug. Eddie will work for a Toon if his cash supply is low enough. So he reluctantly agrees when Roger Rabbit, a Toon who plays straight man (or should that be straight rabbit) in the Baby Herman cartoon series, asks him to find out who’s been trying – unsuccessfully – to buy his contract from the DeGreasy Brothers syndicate. Then Rocco DeGreasy is murdered – and Roger is the prime suspect! The rabbit is also, as Eddie soon discovers, very, very dead. Who censored Roger Rabbit? And who shot Rocco DeGreasy? Was it Roger, or was it Rocco’s hot-cha-cha girlfriend, Jessica Rabbit? Why had Jessica – a pretty steamy number for a Toon – ever married a dopey bunny in the first place? And why does everybody want Roger’s battered old teakettle? As Eddie combs L.A. from the executive suites of the DeGreasy Brothers to Sid Sleaze’s porno comic studio, he uncovers art thefts, blackmail plots….and the cagiest killer he’s ever faced. In Who Censored Roger Rabbit?, author Gary K. Wolf has created a wonderfully skewed – and totally believable – world compounded of equal parts Raymond Chandler, Lewis Carroll, and Walt Disney. This riotously surreal spoof of the hard-boiled detective novel is packed with action and laughs. From first page to last, Who Censored Roger Rabbit? is shear delight. Celebrated author Gary K. Wolf’s cult classic and highly praised novel Who Censored Roger Rabbit? is the basis for the blockbuster Walt Disney/Steven Spielberg Academy Award winning film Who Framed Roger Rabbit. This version includes an author’s sketch of Roger Rabbit PLUS autographs of Gary K. Wolf AND Roger Rabbit himself! The detective on the cover is portrayed by Mr. Wolf.
- Sales Rank: #516893 in Books
- Published on: 2015-05-21
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .54" w x 5.50" l, .62 pounds
- Binding: Paperback
- 238 pages
Review
This antic mystery, in a tradition -- and on a terrain -- familiar to fans of Raymond Chandler and Ross Macdonald, amuses as it intrigues.
The New York Times
An impressively sustained, original mix of fairy tale and burlesque ... Wacky!
Publishers Weekly
A decidedly different and thoroughly enjoyable piece of fiction. Highly recommended.
Roanoke Times and World News
It's fun. And crazy. And it works. Gary K. Wolf has created a fast-moving send up of the classic trench coat thriller, turned the world 90 degrees to left and then stirred in the barnyard beasties of the comic pages. The action stays frantic. Wolf creates a world wacky and real enough to keep you turning the page.
Long Beach Independent Press Telegram
The style is a well-oiled version of Raymond Chandler, and characters are about what one would expect if Daffy Duck were to become the producer of "Wild Kingdom". Hilarious.
Kansas City Star
The ultimate tongue-in-cheek burlesque of the typical hard-boiled private eye thriller. Who Censored Roger Rabbit? stands with the true detective epics of the '30s and '40s.
Jacksonville Times Union
A wild, wacky and highly original story which never has a dull moment.
Chattanooga News-Free Press
Wolf's writing is genuinely funny. His characters wander around in a Chandleresque Disneyland of comic violence that is surreal without being unrealistic. He also trots out every cliché imaginable in the detective/mystery genre, and milks them for every laugh, or groan, that he can get.
Bestsellers
About the Author
It was watching Saturday morning cartoons "for research purposes" that inspired Wolf's idea for Roger Rabbit.
"It was during the commercials," says Wolf. "I saw Tony the Tiger and the Trix Rabbit, and Cap'n Crunch, cartoon characters, talking to real people. And nobody seemed to think that was odd. I thought, 'What a great idea for a novel. A place where Toons lived side by side with humans.' I wove that into a mystery, and bingo, I had my book."
His innovative concept was the basis for the novel Who Censored Roger Rabbit? Wolf found his idea hard to sell -- this time to publishers. Even with three well reviewed science fiction novels to his credit, it took Wolf two years and 110 rejections to find a publisher for his unusual book. "Publishers told me it was too esoteric. Too weird. Nobody would understand it," Wolf explains. Finally, a small publisher took a chance and brought it out. Soon after, Walt Disney Pictures came calling. Disney and Steven Spielberg teamed up to make Who Framed Roger Rabbit. The film became the most critically acclaimed and highest-grossing film of 1988, bringing in more than $750 million at the box office as well as four Academy Awards.
Wolf has written ten novels.
He currently lives in Boston.
Most helpful customer reviews
15 of 16 people found the following review helpful.
Darker than the film
By Marshall Lord
This is the cult classic which inspired the film "Who framed Roger Rabbit" but the original book is much darker and more adult in tone than the film - and in spite of the fact that half the characters are "toons," much less cartoonish.
This is set in an alternative Hollywood in which cartoon characters or "toons" are real. Unlike the film however, they are neither industructible nor immortal. In the book, a toon can generate a temporary "doppelganger" duplicate of himself or herself, and these expendable copies are used as stunt doubles for all the dangerous or lethal work in films. A toon in this book who is hit by a bullet will die just as easily as a human.
The narrator and central character is P.I. Eddie Valiant - Bob Hoskin's character in the film. Other characters who were translated recognisably to the film from the book include cartoon comedy star Roger Rabbit, his humanoid toon wife Jessica Rabbit, and toon star Baby Herman.
As in the film, Eddie Valiant is hired by Roger Rabbit for a number of reasons including marital problems - in the book his beautiful wife Jessica has left him for his agent, Rocco DeGreasy. Roger wants her back, and believes Rocco has put pressure on her to leave him. At first he seems to be talking nonsense.
But a few chapters into the book, both Roger and Rocco are murdered. The police - human and toon divisions - think Roger killed his agent and Jessica murdered him in revenge. Shortly before he died Roger Rabbit created a doppelganger; this double persuades Eddie Valiant to look for evidence that both Jessica and his late self were innocent of the murders.
Eddie sets out to clear Roger and Jessica - with zany results.
A clever black comedy - well worth a read. The film was technically brilliant, but this original is a much cleverer story.
7 of 7 people found the following review helpful.
I want a Roger reboot
By Lee
I was pleasantly surprised to find this book for my Kindle as I've been curious to read it since I learned of its existence, but while I enjoyed it, I can see why it has remained out of print even though it inspired a well-known movie - it's not for the same audience as the movie. The audience for the movie were probably similar to the Pixar crowd nowadays - in search of enough movement and colour to keep very young kids interested yet also requiring enough subtlety and sophistication to engage the parents. But it's hard to say who Gary Wolf was writing for - fans of hard boiled crime fiction who also have the ability to completely suspend their disbelief? I say "completely" because even when you accept a world where comic strip characters are real, talk in speech balloons, and are photographed to create comics, it does not really prepare you for the plot device used to resolve the mystery - it's one of those endings that leaves you feeling the story did not play by its own rules. It's possible the unlikely plot twists and strained metaphors ("I sank a well into my bottom drawer, and struck more bourbon") are deliberately over the top for the sake of humour, but whether the joke holds up for the length of a short novel depends on your taste.
Even so, I give it a high rating because I did enjoy its uncompromisingly darker tone. No "dip" is required to dispatch toons; they get shot dead and bleed. In this version of the story Jessica Rabbit really is "bad", not just "drawn that way" and unlike in the movie there is no need to mess around with freeze frame to see her without her underwear. While Roger himself has some of the same overly helpful, goofy nature that was a big part of his personality in the movie, he also manages to solve elements of the case on his own, makes allusions to Socrates, solves chess problems and like all the other characters in the book, seems to be hiding something.
I've read about on-again, off-again plans for a sequel to the movie, and given the current trend towards going back to the roots of a series and creating reboots and re imaginings rather than straight sequels, it would be very interesting to see someone forget trying to compete with the latest Disney/Pixar masterpiece and create a mature audience Roger Rabbit that stayed closer to the book, maybe with a better ending but still aiming for a niche market of adults who grew up with Roger and are ready for a darker, more complex story.
One can dream.
13 of 18 people found the following review helpful.
A rare case where the film was better
By Michael Scott
Caveat emptor: aside from the story setting -- a world in which humans and Toons coexist in the real world -- and a handful of character names, this book has pretty much nothing to do with the film WHO FRAMED ROGER RABBIT?
The book is not particularly well-written. It's not awful, but it's just not very good. The majority of it goes like this: our detective narrator, Eddie Valiant, gets Character 1's side of the story. He then goes to Character 2 and repeats this story to them. Character 2 balks and tells him a different version of the story. Valiant returns to Character 1, reviews the story as Character 1 told it and then tells Character 1 what Character 2 had to say about all this and this happens over and over again, getting pretty tedious after a while. Wolf/Valiant never skip past with a "I told him the information I got from the girl," it's always reiterated in complete detail. The book could probably be cut by half just by removing overly redundant detail, but then I guess we wouldn't get all the descriptions of what the Toons' word bubbles look like. (In this version, the Toons are comic strip Toons, not movie Toons.)
Valiant is a pushover -- he'll believe whatever anyone says to him until someone else contradicts it, and then he'll believe THEM at face value until further notice. This would be funny if it were being played that way, with Valiant being a too-nice poseur of a P.I., but the book seems to think it's presenting him as being appropriately hardnosed. Several times it's noted that he is a former Marine and he's constantly drinking some kind of alcoholic beverage -- in a world where Toons are living breathing creatures, it's a little sad that the author seems to have spent the bulk of his creative efforts in coming up with a new metaphor to describe Valiant taking a drink every time he does so.
There's an attempt to make humans vs. Toons some kind of racial allegory. Their police forces are segregated, with humans handling human cases and Toons handling Toons exclusively, and there's a brief and pointless scene where Eddie's weekly poker game bails on him when Roger shows up ("That was the deal: no women and no Toons"). But this is never really explored, or much utilized, it's just kind of a superficial gloss over the proceedings. Eddie is clearly different because he doesn't mind Toons as much, but the book never goes into why, just occasionally pats him on the head for being such a good guy on the inside.
The plot is kind of all over the place and contains no fewer than three flagrant deus ex machinas in the third act. The formatting was decent in the Kindle edition but there were some OCR errors and a new character's dialogue does not always start a new paragraph. The characters don't have distinct voices and it can be momentarily confusing, and when this happens repeatedly over the course of the entire book, it becomes a little aggravating.
I give it one star for being readable, another star for a great concept, and a third star for inspiring a film that did a much better job of leveraging the concept and its opportunities. It's $2, so it's not a big financial loss if you get curious and pick it up, but you could probably find better things to do with your time.
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