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This text is part of the Color Atlas and Synopsis of Clinical Ophthalmology which was developed at Philadelphia’s famed Wills Eye Institute.  The beauty of this series is the powerful combination of illustrative photographs and a summary approach to the text.  While the seven ophthalmic subspecialties in this series, Cornea, Retina, Glaucoma, Oculoplastics, Neuroophthalmology, Pediatrics, and Uveiti, employ varying levels of visual recognition, a relatively standard format for the text is used for all volumes.  The goal of the series is to provide an up-to-date clinical overview of the major areas of ophthalmology for students, residents, and practitioners in all the healthcare professions. 

Pediatric Ophthalmology was written in an effort to provide practicing ophthalmologists, pediatric ophthalmologists, and residents in training with a concise update of the clinical findings and the most recent treatment available for a wide spectrum of childhood ocular diseases. The atlas format should provide readers with a clear and succinct outline of the disease entities and stimulate a more detailed pursuit of the specific ocular disorders.  The book features more than 150 4-color illustrations throughout and a short, succinct format which includes: Epidemiology and Etiology, History, Physical Examination, Differential Diagnosis, Laboratory and Special Examinations, Diagnosis, Prognosis, and Management.

• Sales Rank: #1497365 in Books
• Published on: 2011-10-14
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .40" w x 6.10" l, .75 pounds
• Binding: Paperback
• 224 pages

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2 of 2 people found the following review helpful.
Spelling Errors and Bad Pictures
By Kevy
I love the Wills Eye books and was really looking forward to a pediatric-specific edition, but I'm disappointed with this one. I've only skimmed the book so far and have already found multiple spelling errors and a mislabeled picture. More importantly, the pictures just aren't that great for a "color atlas." Granted, it's challenging to get a good photo on a kid, but some are old, some are too dark, and many are not the typical Wills Eye quality. Also, some of the pages dedicated to pictures have more blank space than actual content, which I don't understand.

I hate to say it, but I would wait for the next edition.

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• Sales Rank: #3070615 in Books
• Published on: 1994-12-05
• Number of items: 2
• Binding: Paperback

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In this study of the rabbinic heretics who believed in "Two Powers in Heaven," Alan Segal explores some relationships between rabbinic Judaism, Merkabah mysticism, and early Christianity. "Two Powers in Heaven" was a very early category of heresy. It was one of the basic categories by which the rabbis perceived the new phenomenon of Christianity and one of the central issues over which Judaism and Christianity separated. Segal reconstructs the development of the heresy through prudent dating of the stages of the rabbinic traditions. The basic heresy involved interpreting scripture to say that a principal angelic or hypostatic manifestation in heaven was equivalent to God. The earliest heretics believed in two complementary powers in heaven, while later heretics believed in two opposing powers in heaven. Segal stresses the importance of perceiving the relevance of rabbinic material for solving traditional problems of New Testament and gnostic scholarship, and at the same time maintains the necessity of reading those literatures for dating rabbinic material. Please note that "Two Powers in Heaven" was previously published by Brill in hardback, ISBN 90 04 05453 7 (no longer available).

• Sales Rank: #2915592 in Books
• Published on: 2002-07-01
• Original language: English
• Number of items: 1
• Dimensions: 9.04" h x .71" w x 6.32" l, 1.03 pounds
• Binding: Paperback
• 314 pages

About the Author
Alan Segal is Professor of Religion at Barnard College, Columbia University.

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With more than 1,200 detailed illustrations by the Hungarian master artist Andras Szunyoghy, Anatomy Drawing School offers an in-depth view into the anatomy of human beings and selected mammals. For the student, the volume's remarkably precise depiction of the skeleton and muscles will open the door to the true-to-life reproduction of the various parts of the body and their movements - a critical step on the road to artistic mastery.

• Sales Rank: #2750901 in Books
• Published on: 2007
• Ingredients: Example Ingredients
• Format: Import
• Original language: English
• Number of items: 1
• Dimensions: 12.09" h x 1.85" w x 9.53" l,
• Binding: Hardcover
• 604 pages

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7 of 7 people found the following review helpful.
Great anatomy reference book
By Parka
[[VIDEOID:mo28JKJ6YT1A1VO]]This book is by the same authors Andras Szunyoghy and György Feher, who also wrote another very similar book called Human Anatomy for Artists, which I also have. This book is thicker at 604 pages and focuses about 200 pages on human anatomy.

If you already have Human Anatomy for Artists and not interested in the drawings of animal bones and muscles, you can skip this book. Most of the illustrations inside have actually appeared in the other book. The only additional part I see is some additional drawings of drapery. The main difference is the other focuses on every single muscle with many different views, this book also has those muscles but in lesser but the basic view -- front and back. Bones still have as many views and come with muscle attachment points.

Illustrations of bones and muscles are very big and clear. The animals featured are horse, dog, cat, pig, monkey, sheep, bear, deer, cow, camel and lion. A big bulk is on horses. It's really interesting to see how different the bone and muscle structures are in different animals. I don't have any other animal anatomy books to compare from but this one's pretty good.

This is a very useful anatomy reference book.

(More pictures are available on my blog. Just visit my Amazon profile for the link.)

0 of 0 people found the following review helpful.
exelent reference book
By Flory Patricia Blanco Murillo
If you want to study human anatomy it`s not really enough, but if you have other human anatomy books its a great way to study animals. I would have liked it to have more detail in other tipes of animals, like birds or reptiles, but the amount of information in horses and dogs are ok for me. The explanations are pretty much like the other Szunyoghy`s book with a lot of details in the individual parts, bones, etc.
Because of the amount of diferent animal it has I would rate it as the best animal anatomy book I have.

2 of 2 people found the following review helpful.
Excellent book for artists
By J. Monteiro
This book is a must have for artists of every sort. It's got a different approach on anatomy, as the pictures are drawn by hand and easy to interpret. It has a few flaws in the proportions, but the goal, I guess, is understanding the inner workings of the bodies, layer by layer. It features human and animal anatomy, from cats to bears, but has a more extensive take on horses and people.

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• Sales Rank: #2738637 in Books
• Brand: Brand: Usborne Books
• Published on: 2008-01
• Original language: English
• Number of items: 1
• Dimensions: .39" h x 5.57" w x 7.85" l,
• Binding: Hardcover
• 47 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

4 of 5 people found the following review helpful.
Great 4 a lesson
By SM
I teach first grade. This book was perfect for teaching the importance of honesty. After I have read the book to my students, its one of the class favorites. Additionally, it's so easy to reference and reinforce the idea throughout the year.

0 of 2 people found the following review helpful.
Good timing
By Jean A. Cox
Received this book in great time for a birthday. I am still waiting on the rest of my order to come though and it is getting very close to another Birthday. Hope it gets here soon.

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[Q687.Ebook] Ebook The "Runner's World" Complete Book of Running for Beginners, by Amby Burfoot

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Everything you need to know to begin running for pleasure, for health - for life! From the first steps you take (and the shoes you take them in) to building a sound training plan, boosting your endurance and learning to run with an ease and speed you could never have imagined possible, The Runner's World[registered] Complete Guide to Beginning Running covers every aspect of the sport. There is guidance on nutrition, injury prevention and cross training; there are motivating real-life stories (including that of Oprah); and, for those who need a little extra help, specially designed 2-month and 6-month step-by-step plans.

• Sales Rank: #11568040 in Books
• Published on: 2005-01-07
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x .83" w x 7.44" l, .0 pounds
• Binding: Paperback
• 320 pages

About the Author
Amby Burfoot is Executive Editor, Runner's World[registered] magazine, the editor of The Runner's World[registered] Complete Book of Running, also published by Rodale/Pan Macmillan, and winner of the 1968 Boston marathon. Runner's World[registered] is the world's leading running magazine and brand; it sponsors virtually every road race in the UK

Most helpful customer reviews

0 of 0 people found the following review helpful.
they combine quality and practicality two virtues I love in books as running is concern
By Andreas Michaelides
This book is one of my favorites because its a practical guide on how to make a training program, has numerous and helpful training schedules and it's one of the few books I always come back and read it again and again and especially when I am designing a new running training program.
A must have book for anyone that says he/she is a runner.
Runner's world publication are always on my top list of books, they combine quality and practicality two virtues I love in books as running is concern.
Also if you want to check out my book Thirsty For Health I would really appreciate it.
Thank you and have a healthy day!
Regards
Andreas Michaelides

1 of 1 people found the following review helpful.
Some Editing Mistakes but a Good Informative Read
By M.Hemsley
I have the new revised 2009 version of this. I knew this was a compilation of several articles from Runner's World which I actually prefer to a straight-through read. A majority of the information is really pertinent and helpful to a runner like myself. However, there are a few bits of info that seem outdated like maintaining a long stride as opposed to shortening your stride or increasing your cadence as is recommended now. It is also missing some references in the articles, for example it reads, "Physiologists have calculated that any and all running paces are fast enough to put you into the moderate-to-vigorous aerobic zone that delivers health benefits, (For more guidance on pacing, see "The Starting Line," page xx)" It literally says "xx" instead of an actual page number. I've found a handful of these which is bothersome but not a deal breaker for me. It's more annoying than anything. Overall, this is a great book with helpful information as long as you also keep up with more recent running articles and studies.

0 of 0 people found the following review helpful.
Great read for beginning runners
By C. Eagan
I am a beginning runner and thoroughly enjoyed this book. I found the broad range of topics and writers to be a well rounded overview of important aspects to running: training, injury prevention, diet, ..., etc. (see table of contents for all the topics).

I agree with the reviewers who say this book is "just" a collection of articles, you can find all this same info on the Internet, and there is some contradictory advice. However, for the price, it is nice to have all these great articles in one place in hardcopy. Contradictory advice? Talk to experts in any field and you'll get contracting advice. This reflects that different advice is best for different people and that some experts disagree (e.g. 1 experts says train 6 days a week, another says train 3 days a week). (Experts here meaning trainers, sports doctors, and runners who break world records and win big races).

I would give this 5 stars except for the title may be misleading. The title sounds more encyclopedic but the book is really a nicely organized collection of great articles written over the years by expert trainers, doctors and runners.

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[S870.Ebook] PDF Ebook How to play the piano despite years of lessons: What music is and how to make it at home, by Ward Cannel

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(Instructional). This method is a truly entertaining approach to learning how to play the piano. Written by Ward Cannel of the Piano Consortium, the method breaks down music theory into visual concepts which are fun and easy to grasp, so you can learn to play the music you want to play! Perfect for those piano lesson dropouts!

• Sales Rank: #1122604 in Books
• Published on: 1978
• Ingredients: Example Ingredients
• Number of items: 1
• Binding: Hardcover
• 239 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
The Most Important Music Book I Ever Read
By Modern Blue
My main instrument is the guitar. So how can I say this piano book is the most important music book I ever read? It's because the principles expressed here extend far beyond the piano.

I'm not sure what originally drew me to it in the first place. I think there was a reference to it in another book I was reading. When I saw it had been in print since 1981 that also made an impression. My favorite guitar method book was written in the 1960's and it's outstanding. The longevity of a music book often speaks for it's relevance and value. And I wasn't disappointed in this case.

The premise of the book is that it "rebels" against conventional wisdom, or the established classical learning that prevailed around the time it was written. The main message I carried away after reading it was "if it sounds good it IS good." It doesn't matter whether it's theoretically correct. Just let your ears be the judge. Theory geeks aren't going to like this book at all. But I got it. And it has had a huge impact on my playing ever since.

I read through a long list of theory books before and after reading this book. By the way, this is not a theory book per se. At one point I said "enough is enough" and hung all the theory and just started playing. Something I came to realize about theory is that it's a way of interpreting and "codifying" if you will, what other skilled composers have written and played in the past. It helps to have some kind of starting point, or frame of reference, if you want to write and play yourself. So theory provides a structured way of learning and understanding how music is composed.

But theory will only take you so far. I think way too many people miss this important point. It's theory for the sake of creating and playing music, not theory for the sake of being theoretically correct and perfect. Eventually you have to start trusting your ears and your feelings and see where that takes you with your music. This book helped me do just that. And that is why I say it's the most important music book I ever read.

4 of 4 people found the following review helpful.
How to for Popoular Music
By Rearden Steel
The book is for people who already know how to play classical music but never learned how to develop a simple melody line into a more interesting score. This is the province of the fake book. Accordingly, the book could have been titled How to Play from a Fake Book for classical Pianists.

The book is wordy compared to many. But, that can be an advantage. Marx explains each concept and new step in detail so there can be no doubt of your understanding of his point before he moves onward.

I found the attempt at humor to be distracting as well as making the book longer than it had to be. This being a review of the third edition of the November 1976 issue. Also this edition has no index.

What makes the book so useful is that of all the topics that could have been introduced, only those that are relevant to the author's purpose are used and they are used immediately following a bit of theory.

At least one review faults the book since the concept of relative minor chords is not covered in detail. To that I would say that for a book of this nature one does not expect exhaustive explanations of music theory.

It is interesting that modern day popular music traces its routes all the way back to J.S. Bach, Brahms, Beethoven and others as is shown by way of example throughout.

The development uses the concept of stratification of the keyboard first in a simple way and then gradually developing more complexity until finally arriving at the use of the circle of fifths for the last examples.

If you have had problems grasping the concept of syncopation, then on this topic alone the book is worth the price of admission. I say this because that remark applied in spades to me. Marx furthers is explanation of syncopation with examples from Bolero Rhumba and others.

All and all this is a great book for self study. In spite of the somewhat strange humor, I gave the book 5 stars for good clear development; short easily mastered chapters; and good example adaptions as the book proceeds.

5 of 5 people found the following review helpful.
A music theory book by any other name...
By klavierspiel
This book has been around a long time. "More than 30 years in print!" trumpets the cover of the latest edition. I had never looked inside it, though, until it was called to my attention by a gentleman at an after-concert reception, who said he was teaching himself to play from it and who recommended it highly to me.

What I discovered after reading it is that "How to Play the Piano Despite Years of Lessons" is a good but quite specialized instruction book: it is for a person who knows something about music, and who just wants to play stuff: songs everyone knows, standards, Christmas carols, etc. The authors, Ward Cannel and Fred Marx, spend a lot of time trying to demystify the process of doing this and convincing the reader that it's possible. I give them credit for never saying that it's easy or doesn't require effort: despite the new names (musical "strata," using the letter "i" to mean a half-step) sprinkled throughout the text, and "myths" versus "facts" that open each chapter, most of the concepts are ones that will be familiar to anyone who has studied music theory or taken jazz piano instruction, and there is nothing wrong with that: the material is solid, and anyone who sticks with the program and can get around the keyboard with reasonable ease will end up being able to do what the authors claim: play music.

"Reasonable ease," there's the rub: Cannel and Marx spend a lot of time slamming traditional piano instruction, with its ostensibly boring scales and exercises. Admittedly, years of instruction that centers on painfully learning difficult classical pieces without any understanding of how they are constructed has produced a lot of adults who can't play anything now. But there IS a point to scales and exercises: they build physical fluency at the keyboard, the ability to get to the notes you want to play. The major weakness of this book is that it doesn't acknowledge this essential need. My guess is that a lot of folks over the years have understood the concepts presented in this book, but have nevertheless given up in frustration after they've hit that technical wall.

Bottom line: this is not the musical equivalent of a quick weight-loss diet book: some musical knowledge and willingness to put in the time and effort are necessary. I'm biased, but I also think having a supportive piano instructor would help as well.

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